Saturday, August 22, 2020

History of the Quiché Maya - Popol Vuh

History of the Quichã © Maya - Popol Vuh The Popol Vuh (Council Book or Council Papers) is the most significant hallowed book of the Quichã ©; (or Kiche) Maya of the Guatemalan Highlands. The Popol Vuh is a significant book for seeing Late Postclassic and Early Colonial Maya religion, legend, and history, yet in addition since it additionally offers intriguing looks into Classic Period convictions. History of the Text The enduring content of the Popol Vuh was not written in Mayan hieroglyphics, yet rather is a transliteration into European content composed between 1554-1556 by somebody said to have been a Quichã © aristocrat. Between 1701-1703, the Spanish monk Francisco Ximenez found that variant where he was positioned in Chichicastenango, replicated it and made an interpretation of the record into Spanish. Ximenez interpretation is at present put away in the Newberry Library of Chicago. There are various forms of the Popol Vuh in interpretations in different dialects: the most popular in English is that of Mayanist Dennis Tedlock, initially distributed in 1985; Low et al. (1992) thought about the different English variants accessible in 1992 and commented that Tedlock drenched himself in the Mayan perspective as much as possible, yet by and to a great extent picked composition as opposed to the verse of the first. The Content of the Popol Vuh Presently it despite everything swells, presently it despite everything mumbles, swells, it despite everything moans, despite everything murmurs and is vacant under the sky (from Tedlocks third version, 1996, portraying the early stage world before creation) The Popol Vuh is a story of the cosmogony, history, and conventions of the Kiche Maya before the Spanish success in 1541. That account is introduced in three sections. The initial segment discusses the formation of the world and its first occupants; the second, likely the most acclaimed, portrays the narrative of the Hero Twins, two or three semi-divine beings; and the third part is the account of the Quichã © honorable family lines. Creation Myth As indicated by the Popol Vuh legend, toward the start of the world, there were just the two maker divine beings: Gucumatz and Tepeu. These divine beings chose to make earth out of the early stage ocean. When the earth was made, the divine beings populated it with creatures, however they before long understood that creatures couldn't talk and along these lines couldn't venerate them. Therefore, the divine beings made people and had the creatures job consigned to nourishment for people. This age of people was made out of mud, as were frail and were before long wrecked. As a third endeavor, the divine beings made men from wood and ladies from reeds. These individuals populated the world and multiplied, yet they before long overlooked their divine beings and were rebuffed with a flood. The rare sorts of people who endure were changed into monkeys. At long last, the divine beings chose to shape humanity from maize. This age, which incorporates the current human race, can revere and sustain the divine beings. In the portrayal of the Popol Vuh, the formation of the individuals of corn is gone before by the account of the Hero Twins. The Hero Twins Story The Hero Twins, Hunahpu, and Xbalanque were the children of Hun Hunahpu and a black market goddess named Xquic. As indicated by the legend, Hun Hunahpu and his twin sibling Vucub Hunahpu were persuaded by the masters of the black market to play a ball game with them. They were vanquished and yielded, and the head of Hun Hunahpu was put on a gourd tree. Xquic got away from the black market and was impregnated by the blood trickling from Hun Hunahpu’s head and brought forth the second era of legend twins, Hunahpu and Xbalanque. Hunahpu and Xbalanque lived on the earth with their grandma, the mother of the principal Hero Twins, and became extraordinary ballplayers. At some point, as had happened to their dad, they were welcome to play a ball game with the Lords of Xibalba, the black market, yet dissimilar to their dad, they were not crushed and stood all the tests and deceives posted by the black market divine beings. With a last stunt, they figured out how to murder the Xibalba masters and to restore their dad and uncle. Hunahpu and Xbalanque at that point arrived at the sky where they turned into the sun and moon, though Hun Hunahpu turned into the divine force of corn, who rises each yearâ from the earth to offer life to the individuals. The Origins of the Quichã © Dynasties The last piece of the Popol Vuh portrays the account of the primary individuals made from corn by the tribal couple, Gucumatz and Tepeu. Among these were the organizers of the Quichã © respectable administrations. They had the option to adulate the divine beings and meandered the world until they arrived at a legendary spot where they could get the divine beings into holy packages and take them home. The book closes with the rundown of the Quichã © genealogies up until the sixteenth century. How Old is the Popol Vuh? Albeit early researchers accepted that the living Maya had no memory of the Popol Vuh, a few gatherings hold impressive information on the narratives, and new information have driven most Mayanists to acknowledge that some type of the Popol Vuh has been integral to the Maya religion in any event since the Maya Late Classic Period. A few researchers, for example, Prudence Rice have contended for an a lot more established date. Components of the account in the Popol Vuh contends Rice, seem to originate before the late Archaic division of language families and schedules. Further, the story of the one-legged ophidian powerful who is related with downpour, lightning, life, and creation is related with Maya rulers and dynastic authenticity since their commencement. Refreshed by K. Kris Hirst Sources Word reference of Archaeology.Carlsen RS, and Prechtel M. 1991. The Flowering of the Dead: An Interpretation of Highland Maya Culture. Man 26(1):23-42.Knapp BL. 1997. The Popol Vuh: Primordial Mother Participates in the Creation. Confluencia 12(2):31-48.Low D, Morley S, Goetz D, Recinos A, xe, Edmonson M, and Tedlock D. 1992. A Comparison of English interpretations of a Mayan message, the Popol Vuh. Studies in American Indian Literatures 4(2/3):12-34.Miller ME, and Taube K. 1997. An Illustrated Dictionary of The Gods and Symbols of Ancient Mexico and the Maya. London: Thames and Hudson.Paulinyi Z. 2014. The butterfly feathered creature god and his legend at Teotihuacan. Ancient Mesoamerica 25(01):29-48.Rice PM. 2012. Congruities in Maya political talk: Kawiils, katuns, and kennings. Ancient Mesoamerica 23(01):103-114.Sharer RJ. 2006. The Ancient Maya. Stanford, California: Stanford University Press.Tedlock D. 1982. Perusing the Popol Vuh over the shoulder of a seer and discoverin g whats so amusing. Conjunctions 3:176-185. Tedlock D. 1996. The Popol Vuh: Definitive Edition of the Maya Book of the Dawn of Life and the Glories of Gods and Kings. New York: Touchstone.Woodruff JM. 2011. Ma(r)king Popol Vuh. Romance Notes 51(1):97-106.

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